1 – Jiksi, “Baegun Hwasang Chorok Buljo Jikji Simche Yojeol [Master Baegun’s Excerpts from the Buddhas’ and Patriarchs’ Direct Teachings on the Essence of Mind]”
Cheongju Early Printing Museum, 2015.
Offset printing by Korea Armed Forced & Publishing Depot (facsimile reprint).
2 – Imprimere – Arte e Processo nos 250 anos da Imprensa Nacional, 2018
Published by: INCM – Imprensa Nacional Casa da Moeda, ESAD Idea.
Editorial coordination: Rúben Dias, Sofia Meira.
Texts: Duarte Azinheira, Fernando Rocha, Francisco Providência, Gonçalo Caseiro, Graciela Machado, José Bártolo, Luísa Salgueiro, Maria Inês Queiroz, Rúben Dias, Sofia Meira.
Graphic design: Degrau.
Infographics: João Tiago and Susana Fernando.
Photographs: Luís Espinheira.
Printing: Five-colour offset.
3 – Desenhos de luz – Cadernos do Centenário 4#, Teatro Nacional de São João, 2021
Drawings: António Jorge Gonçalves.
Afterword: Pedro Sobrado.
Design: SAL Studio.
In collaboration with: António Jorge Gonçalves.
Printing: One-colour LedUV offset on Notturno Nero 140g paper, 170 lpi.
Finishing: Thread-sewn, with a 2mm board cover wrapped in Notturno Nero 140g paper, printed in one LedUV colour.
4 – Rostos com História, by Pedro Canedo, 2023
Texts: Américo Canedo.
Published by the Municipality of Montalegre.
Printing: Four-colour offset and aqueous varnish.
Finishing: Thread-sewn and softbound.
Book block: Condat Perigord 170g, 400 lpi.
Cover: Popset Black 320g paper, with anti-scratch lamination and spot high-build UV varnish.
Front and back covers:
2mm board wrapped in Symbol Matt Plus Premium White 150g, CMYK + 1 PMS printing.
Matt lamination on one side.
Fold-out:
Munken Print White 1.5 115g, CMYK printing on the front, unprinted reverse.
Finishing:
Accordion-folded, with 4 glued joins (four 15mm tabs).
Front and back covers glued to the first and last panels of the fold-out.
5 – Um certo não sei quê – Escultura e Pintura na coleção de Rui Victorino, 2022
Text: Óscar Faria.
Design: Vera Velez.
Printing: Four-colour LedUV offset plus one LedUV colour.
Finishing: Thread-sewn with Otabind binding.
Book block: Arena white rough 140g and Keaycolor Terra Rossa 120g papers, 170 lpi.
Cover: Keaycolor 360g paper with black hot foil stamping.
6 – Sal
Text: João Andrade.
Illustrations: Luís Buchinho.
Published by Fundação Cecília Zino.
Design: Gráficos do Futuro.
7 – “Egoísta, Raffaello & Leonardo” magazine, 2020
Published by Grupo Estoril Sol.
Printing: Offset.
Hardback with 2.5mm board and black ribbon marker.
Book block and endpapers: Munken Lynx 150g paper.
8 – Susurro – Maurizio Catellan
Size: 210 × 297mm.
Front cover, back cover and spine:
Creator Star 170g, CMYK printing on the front, gloss silver lamination on one side, matt white cold foil stamping on the spine.
Board:
Black 2F board, 2mm, 1260g, unprinted on both sides.
160-page book block: 96 pages on Arena White Smooth 140g paper, CMYK LedUV printing on both sides; 16 pages on Arena White Smooth 140g paper, CMYK LedUV printing on both sides; 48 pages on Arena White Smooth 140g paper, black LedUV printing on both sides.
Endpapers:
Sirio Ultra Black 185g paper, unprinted on both sides.
Finishing:
Sewn, spine wrapped in printed paper, front and back covers glued to the first and last endpapers (spine side wrapped) and trimmed (board visible at the edges). Punch-cut to form a handle. Gold foil stamping on all three book edges.
9 – Alice no País das Maravilhas
Size: Closed 130 × 230mm; open 260 × 230mm.
Z-shaped cover:
1.25mm board covered in Imperial 4440 cloth (Red), Cover 1, and Imperial 4420 cloth (Pink), Cover 2. Red cover stamped with Pink V941 foil; Pink cover stamped with Red 864 foil.
Book block 1:
200 pages on Artic Volume White 130g paper, printed on both sides in 4 PMS LedUV colours.
Book block 2:
104 pages on Artic Volume White 130g paper, printed on both sides in 4 PMS LedUV colours.
Endpapers:
Artic Volume White 170g paper, printed on both sides in 4 PMS LedUV colours.
Finishing:
Book 1: Sewn with red thread, cold-glued square spine with mull and headband 795 (Pink), trimmed and bound.
Book 2: Sewn with red thread, cold-glued square spine with mull and headband 676 (Red), trimmed and bound.
Custom ribbon markers in both book blocks and hand numbering.
Packaging:
Two cards (OF 231092) placed in each book block; book inserted in box (OF 231091) and individually shrink-wrapped, with the book number indicated.
10 – Casa de Tijolo, 2022.
Published by: Primosfera.
Editorial concept & design: This is Pacifica.
With contributions from: Sofia Charters, Miguel Charters, Manuel Aires Mateus, Hugo Gonçalves, João de Sousa, João Guimarães, O Apartamento.
Translation: Christopher Foster.
Production: Bacelar & Pereira, Oupas Design.
Size: 98 × 210mm.
Paper: Fedrigoni Materica Terracota (cover) / Ferigoni Arena Bulk Natural (book block).
Binding: Swiss binding with cloth spine and painted edges. Debossed cover.
Awards:
Silver Lion at the Cannes festival.
Clube da Criatividade, 2023 Awards: Gold, Design, Graphic Design, One-off Piece. Gold, Design, Corporate Publication.
11 – Barreiro. 500 Anos, e Agora?
Design: José Mendes.
Typefaces: Cidade // José Mendes.
Basier Circle Mono, Argesta Text /// Atipo Foundry.
Paper: Pop’Set.
Novatech Ultimatt.
Coral Book.
12 – Dejá-vu, André Carrilho
Book block on novatech ultimate 150g, 4/4 printing.
Cover on matt coated 170g paper with velvet lamination and hot foil stamping.
13 – Ephemera by Vhils, Hong Kong Contemporary Art (HOCA) Foundation, 2023
Editorial coordination: Miguel Moore; graphic design and co-coordination: Diogo Potes (Solid Dogma).
Four-colour printing on two different Fine Papers and a specially die-cut board cover with black foil stamping.
14 – Ler magazine
Cover: Matt coated 250g paper.
Four-colour printing on both sides.
Matt lamination on the front.
Book block: Offset Volume Creme 90g paper.
Four-colour printing (one section) and two-colour printing (three sections: black + different Pantone colours).
Finishing: Folded sections, spine-notched and glued to the cover with PUR adhesive.